In this chapter, Foster edifies the reader on the usage of vampires in literature, moreover their symbolic value. In literature, the vampire is a symbolic reference for something or someone that puts their needs in front of the needs of those surrounding them. A vampire manipulates the other characters in the story as a method of getting what their (undead) heart desires; draining those around them of the very thing they live for, and ultimately leaving the character empty of what's vital to them.
Foster denotes many literary examples in which vampires can be found, but the one I plan to focus on is: "Tess of the d'Urbervilles" by Thomas Hardy (Foster 21). Knowing that a vampire is a symbolic reference for someone that "destroys" the character, it seems evident to point out that in Hardy's novel, Alec d'Urberville fits that role almost perfectly. Alec is the nemesis of the story's protagonist, Tess Durbeyfield, and also the catalyst that sparks her "destruction." His full name, Alexander, which one could connect to the conqueror-as in Alexander the Great- who appropriates anything he desires without any regard to moral propriety. The duplicitous character of Alec is evident towards the end of the novel when he abandons his newly adopted Christian faith upon meeting Tess. Alec's vampire-like associations also become known when he seduces Tess such as the serpent seduces Eve in the book of Genesis, thus taking away her "value" and leaving her worthless to most men in Victorian society. Additionally, like a common vampire, Alec makes no attempt to hide his malevolent nature. In Chapter Twelve of Hardy's novel, Alec tells Tess, "I suppose I am a bad fellow-a damn bad fellow." Like a vampire, Alec d'Urberville symbolizes the evil that steers characters away from their achievement of moral perfection.
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| "Count Alec", an original by Dylan Asher |
Better hold on to the garlic.
